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Antiquity & ruins
Pair of Classical Mythological Engravings, Montfaucon Antiquity Explained 1721
£930
$1,230 · €1,100
Original print, not a reproduction
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- Date
- 1721
- Sheet size
- 16.6 × 9.6 in (42.2 × 24.3 cm)
- Condition
- Good. Even age toning across both sheets, clearly visible plate marks, and moderately inked impressions with some natural softness to the engraved lines. Minor edge wear and light surface handling, consistent with early 18th-century folio engravings.
- Collection
- Antiquity & ruins
- Era
- 1700 to 1789, Baroque to Neoclassical
- Stock no.
- f_48262592
Pair of Classical Mythological Engravings, Montfaucon Antiquity Explained 1721
A refined pair of classical engravings depicting mythological figures after ancient Roman sculpture, published in Bernard de Montfaucon’s foundational work Antiquity Explained and Represented in Sculptures, London, 1721. The map is offered unframed, giving flexibility to select a frame that best suits the intended interior.
This carefully matched pair of copper engravings originates from Bernard de Montfaucon’s monumental antiquarian publication Antiquity Explained and Represented in Sculptures, Volume I, issued in London in 1721. Both plates illustrate classical mythological subjects derived from ancient Roman reliefs and sculptural monuments, engraved to serve as visual documentation within Montfaucon’s pioneering archaeological study.
Unlike decorative putti or medallion plates, these engravings present fuller narrative compositions with multiple figures, giving them greater visual weight and scholarly presence. Montfaucon’s publication marked the first systematic effort to record antiquity through engraved imagery, forming the foundation of modern classical archaeology and influencing generations of artists, architects, and collectors.
Displayed together, the two engravings form a balanced and intellectually coherent ensemble. The pairing offers both decorative strength and historical depth, making it particularly suitable for libraries, studies, refined living spaces, or interiors inspired by the Grand Tour tradition.
The pair is sold together as one lot and is offered unframed.
Condition report:
Even age toning across both sheets, clearly visible plate marks, and moderately inked impressions with some natural softness to the engraved lines. Minor edge wear and light surface handling, consistent with early 18th-century folio engravings.
Framing suggestions:
Best framed as a matched pair using identical dark wood or black frames with ivory or off-white mats. Works well hung side by side or stacked vertically for a classical wall display.
Keywords:
Bernard de Montfaucon, Antiquity Explained, 1721 engraving, classical mythology, Roman sculpture, antiquarian print, Grand Tour art, 18th century engraving, classical wall art, mythological engraving pair, museum style print, scholarly wall decor
Technique: Copper engraving
Maker: Bernard de Montfaucon, London, 1721
