Antique Architecture Prints
Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721
42.5 cm · 16.7 in
24.8 cm · 9.8 in
Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721, view 2

Close-ups

Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721, close-up 1Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721, close-up 2Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721, close-up 3Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721, close-up 4Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721, close-up 5

Framed and on the wall

Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721, shown framedLarge Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721, shown framed on a wall, true to sizeLarge Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Antiquity & ruins

Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721

€460

$520 · £390

Original print, not a reproduction

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Date
1721
Sheet size
16.7 × 9.8 in (42.5 × 24.8 cm)
Condition
Good. Even overall age toning, a clearly visible plate mark, and a moderately inked impression consistent with early 18th-century copper engravings. Minor surface wear and light edge handling, without losses or restorations. Sold unframed.
Collection
Antiquity & ruins
Era
1700 to 1789, Baroque to Neoclassical
Stock no.
f_48196102

Large Antique Classical Relief Scene, Montfaucon Antiquity Explained, 1721

Description:

This decorative copper engraving originates from Bernard de Montfaucon’s monumental antiquarian work Antiquity Explained and Represented in Sculptures, Volume I, published in London in 1721. The composition presents a richly populated mythological relief scene arranged in two horizontal registers, closely modeled after ancient Roman marble friezes.

Montfaucon’s publication was the first systematic attempt to document and interpret classical sculpture using engraved visual evidence, making it a cornerstone of early archaeological and art-historical study. The figures shown here derive from celebrated ancient monuments and sculptural fragments then preserved in major European collections.

The architectural clarity and calm classical balance give this print exceptional decorative strength, particularly suited to wide wall spaces, libraries, or refined interior settings where historical depth is valued without overt ornament.

Condition: Even overall age toning, a clearly visible plate mark, and a moderately inked impression consistent with early 18th-century copper engravings. Minor surface wear and light edge handling, without losses or restorations. This engraving is sold unframed.

Framing tips: Dark walnut or black frame with a generous ivory mat to emphasize the horizontal format.

Technique: Copper engraving

Maker: Bernard de Montfaucon, London, 1721

Keywords: Bernard de Montfaucon, Antiquity Explained, 1721, classical antiquity, Roman relief, mythological relief, antique engraving, early archaeology, classical sculpture study, Grand Tour print, 18th century antiquarian, ancient Roman art, historical engraving, classical interior art, scholarly wall art