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Antiquity & ruins
Antique Roman Ephesian Artemis Statues, Montfaucon Classical Engraving 1721
€990
$1,115 · £840
Original print, not a reproduction
Ships worldwide from the Netherlands, flat, insured and tracked. 14-day returns. To buy, use Ask a question (info@antiquearchitectureprints.com) and we will reserve it for you.
- Date
- 1721
- Sheet size
- 16.6 × 9.6 in (42.2 × 24.3 cm)
- Condition
- Fair. Fair to good antique condition. Pronounced central fold as issued, with even age-related toning throughout. Clear plate impression, minor handling marks and soft creases consistent with age. No major losses or restorations observed.
- Collection
- Antiquity & ruins
- Era
- 1700 to 1789, Baroque to Neoclassical
- Stock no.
- f_48311182
Antique Roman Ephesian Artemis Statues, Montfaucon Classical Engraving 1721
This impressive early 18th-century copper engraving presents a comprehensive visual study of the Ephesian Artemis, one of the most distinctive and enigmatic cult figures of the Roman world. The plate originates from Bernard de Montfaucon’s monumental antiquarian publication L’Antiquité expliquée et représentée en figures, published in Paris in 1721, a foundational work for the study of classical art and archaeology.
The composition assembles multiple sculptural variants of Artemis of Ephesus, shown as cult statues richly adorned with symbolic attributes. The goddess is depicted in her characteristic rigid frontal pose, her body encased in tiered reliefs populated with animals, mythological figures, and ritual motifs. These statues, based on ancient originals known in European collections, are carefully compared across differing examples, allowing the viewer to study variations in ornament, proportion, and iconography.
Interspersed among the statues are engraved medallions, gems, and relief fragments, including profile heads and mythological scenes, which further contextualize the cult of Artemis within Roman religious practice. Montfaucon’s scholarly intent is evident: the plate functions both as a comparative visual archive and as an elegant, balanced composition with strong graphic presence.
From an interior perspective, this engraving offers exceptional decorative impact. The vertical rhythm of the statues, combined with the circular medallions, creates a striking wall piece that reads clearly even from a distance. Its monochrome palette, intricate line work, and classical subject matter make it highly attractive for refined interiors, whether displayed in a study, library, gallery wall, or contemporary space seeking historical gravitas.
Condition:
Fair to good antique condition. Pronounced central fold as issued, with even age-related toning throughout. Clear plate impression, minor handling marks and soft creases consistent with age. No major losses or restorations observed.
Framing suggestions
This sheet frames beautifully in a dark walnut or ebonized frame with a wide ivory or warm white mat. Museum-style glazing will enhance the engraving’s depth and preserve its refined classical character.
Technique: Copper engraving
Maker: Bernard de Montfaucon, France, Paris, 1721
Framing suggestions:
This sheet frames beautifully in a dark walnut or ebonized frame with a wide ivory or warm white mat. Museum-style glazing will enhance the engraving’s depth and preserve its refined classical character.
Technique: Copper engraving
Maker: Bernard de Montfaucon, France, Paris, 1721
