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Antiquity & ruins
Antique Classical Wall Engraving, Roman Mythology, Montfaucon 1721
$605
€535 · £455
Original print, not a reproduction
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- Date
- 1721
- Sheet size
- 16.6 × 9.6 in (42.2 × 24.3 cm)
- Condition
- Good. Even overall age toning, a clearly visible plate mark, and a moderately inked impression with some natural softness to the engraved lines. Minor edge wear and light surface handling, consistent with early 18th-century folio engravings.
- Collection
- Antiquity & ruins
- Era
- 1700 to 1789, Baroque to Neoclassical
- Stock no.
- f_48262972
Antique Classical Mythological Engraving after Roman Sculpture, Montfaucon 1721
An elegant classical engraving depicting a mythological sculptural subject after ancient Roman models, published in Bernard de Montfaucon’s foundational antiquarian work Antiquity Explained and Represented in Sculptures, London, 1721. The map is offered unframed, giving flexibility to select a frame that best suits the intended interior.
This refined copper engraving originates from Volume I of Bernard de Montfaucon’s *Antiquity Explained and Represented in Sculptures*, issued in London in 1721. The plate illustrates a classical mythological subject derived from ancient Roman sculpture, engraved with the intention of recording form, pose, and iconography rather than creating a purely decorative image.
Montfaucon’s publication is widely regarded as the starting point of modern classical archaeology. By systematically reproducing ancient sculpture through engraving, he provided scholars, artists, and collectors with visual access to antiquity at a scale never achieved before. Plates such as this one were used to compare sculptural types, mythological themes, and stylistic conventions across different ancient monuments and collections.
Visually, this engraving stands comfortably on its own. The composition is balanced and legible, with a calm sculptural presence that translates well to interior settings without appearing busy or illustrative. It works particularly well in studies, libraries, and refined living spaces where historical depth and quiet authority are preferred over overt decoration.
The print is offered unframed.
Condition report:
Even overall age toning, a clearly visible plate mark, and a moderately inked impression with some natural softness to the engraved lines. Minor edge wear and light surface handling, consistent with early 18th-century folio engravings.
Framing suggestions:
Best framed as a single piece using a dark wood or black frame with an ivory or off-white mat. A slightly wider mat enhances the sculptural calm and scholarly character of the image.
Keywords:
Bernard de Montfaucon, Antiquity Explained, 1721 engraving, classical mythology, Roman sculpture, antiquarian print, antique engraving, Grand Tour art, 18th century classical print, mythological wall art, scholarly interior art, museum style engraving
Technique: Copper engraving
Maker: Bernard de Montfaucon, London, 1721
