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Ornament & pattern
Renaissance Decorative Borders & Panels, Richly Colored Grotesques, 1869
€260
$295 · £220
Original print, not a reproduction
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- Date
- 1869
- Sheet size
- 15.9 × 11.3 in (40.4 × 28.8 cm)
- Condition
- Excellent. Impression with vivid coloration. Slight age-toning in the margins; image area bright and clean.
- Collection
- Ornament & pattern
- Era
- 1850 and after, The age of revivals
- Stock no.
- f_46122582
Renaissance Decorative Borders & Panels, Richly Colored Grotesques, Pl. LVII
This elaborate chromolithograph, Plate LVII from the influential *L'Ornement Polychrome* series (Paris, c.1869), presents a vibrant selection of Renaissance border designs and cartouches. Lithographed by Lagarde & Pralon and printed by Firmin-Didot, this page celebrates the ornamental legacy of the 15th and 16th centuries with colorful symmetry and rich symbolism.
The plate features an array of interlacing scrollwork, grotesques, vases, floral tendrils, fruits, winged cherubs, and fantastical creatures arranged within vertical panels and rectangular frames. Several cartouches, central oval or round panels once used for coats of arms or inscriptions, remain intentionally blank, a design practice that offered space for personalization in Renaissance interiors or manuscripts.
The central columns are densely adorned with urns, putti, birds, and acanthus leaves. The use of deep blue, red, green, and gold tones enhances the overall richness of the presentation, recalling the elaborate ceiling and wall decorations of Renaissance palaces and ecclesiastical buildings.
The detailed color and precise lithographic technique used here made this publication a key reference for 19th-century artists, designers, and architects who looked to Renaissance ornament as a model of harmony and refinement.
This plate is ideal for collectors of architectural decoration, historical design references, or anyone inspired by the enduring elegance of the Renaissance revival in 19th-century decorative arts.
Condition: Excellent impression with vivid coloration. Slight age-toning in the margins; image area bright and clean.
Framing tips: Best suited to a gold or gilded frame with a neutral ivory or parchment-toned mat to echo the page's original palette and enhance the intricate detailing.
Technique: Chromolithograph
Maker: Lagarde & Pralon, lith.; Firmin-Didot, Paris, c.1869
