Antique Architecture Prints
Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869
40.4 cm · 15.9 in
28.8 cm · 11.3 in

Close-ups

Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869, close-up 1Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869, close-up 2Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869, close-up 3Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869, close-up 4Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869, close-up 5Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869, close-up 6

Framed and on the wall

Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869, shown framedCeltic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869, shown framed on a wall, true to sizeCeltic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Ornament & pattern

Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869

£185

$250 · €220

Original print, not a reproduction

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Date
1869
Sheet size
15.9 × 11.3 in (40.4 × 28.8 cm)
Condition
Very good. Vibrant colors. Slight toning to the upper margin. A few faint spots in the left border. No tears or repairs.
Collection
Ornament & pattern
Era
1850 and after, The age of revivals
Stock no.
f_46121742

Celtic Illuminated Ornament, Decorative Motifs from Early Manuscripts, c.1869

This richly colored plate, numbered XXXIX from L'Ornement Polychrome, presents an exquisite compilation of Celtic decorative motifs, primarily drawn from illuminated manuscripts and early medieval ecclesiastical art. Designed with exceptional precision and printed in chromolithography by Firmin-Didot, this collection reflects the height of Celtic artistic tradition as it evolved in Britain and Ireland from the 7th to 9th centuries.

Each panel and frieze showcases the dynamic intricacy of Insular art, characterized by interlacing knots, stylized animals, foliate spirals, and interwoven scrolls. The palette is bold and luminous, featuring deep blues, golds, reds, and greens typical of manuscripts such as the *Book of Durrow*, *Book of Kells*, and *Lindisfarne Gospels*.

Notable details include:

– Knotted zoomorphic patterns (center bottom) featuring stylized birds entwined in rhythmic symmetry

– Elaborate capital letters and marginal decorations recalling early Christian manuscript illumination

– Concentric and circular designs reflecting the fusion of pagan symbolism and Christian iconography

– Border strips and panels ideal for framing, textiles, or design inspiration

Lithographed by Baurer, this plate highlights the 19th-century revivalist fascination with medieval and Celtic art, popularized during the Arts and Crafts Movement. Racinet’s *L'Ornement Polychrome* aimed to make such historic styles accessible to artists and designers, and this particular plate is one of the most ornate in the Celtic series.

An exceptional print for collectors of historical design, lovers of Celtic culture, or anyone interested in the visual heritage of early medieval Europe.

Condition: Very good. Vibrant colors. Slight toning to the upper margin. A few faint spots in the left border. No tears or repairs.

Framing tips: A dark wood or aged gold frame with a soft ivory or parchment-colored mat will bring out the medieval character and color vibrancy of this plate.

Technique: Chromolithograph

Maker: Firmin-Didot, Paris, after Albert Racinet, c.1869