Antique Architecture Prints
Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834
20.4 cm · 8 in
26.3 cm · 10.4 in
Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, view 2

Close-ups

Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, close-up 1Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, close-up 2Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, close-up 3Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, close-up 4Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, close-up 5Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, close-up 6

Framed and on the wall

Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, shown framedAntique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, shown framed on a wall, true to sizeAntique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834, shown framed in a room, true to size

Frame and rooms are illustrations of how the print could look, drawn to its real size; it is sold unframed unless the description says otherwise.

Bridges & monuments

Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834

£230

$305 · €270

Original print, not a reproduction

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Date
1832
Sheet size
8 × 10.4 in (20.4 × 26.3 cm)
Condition
Good. Condition report: Very good condition with strong impression and bright, clean paper. Minor toning to margins consistent with age, but no major defects, except small tear outside the plate mark. Plate mark is visible, adding to authenticity.
Collection
Bridges & monuments
Era
1790 to 1849, Neoclassical and Romantic
Stock no.
f_46866062

Antique engraving of Datchet Bridge on the Thames, Tombleson, c.1832 to 1834

This elegant antique engraving presents a rare and atmospheric view of Datchet Bridge, which once spanned the River Thames near Windsor, linking the village of Datchet in Buckinghamshire with Windsor in Berkshire. At the time William Tombleson drew this scene, the wooden bridge was still in use, although it was notoriously fragile and frequently damaged by floods and traffic. In fact, the bridge was demolished in 1836, only a few years after this engraving was published, making this image an important historical record of a vanished Thames crossing.

The composition is finely balanced, showing the timber structure of the bridge to the left, where laborers and townsfolk are gathered by a barge unloading its cargo. A woman in traditional dress stands prominently in the foreground, lending a human touch to the riverside activity. To the right, the river flows gently towards an elegant villa set within landscaped grounds, its neoclassical design enhanced by carefully placed trees and garden walls. Small rowing boats add movement to the water, while the sky, rendered with dramatic tonal contrasts, suggests an unsettled English day.

The artist is William Tombleson (1795 to 1846), an English draughtsman best known for his topographical works, particularly *Views of the Thames and Medway* (1832 to 1834) and *Views on the Rhine*. His drawings were engraved by skilled printmakers such as Thomas Higham, whose precise linework is evident here in the careful rendering of timber, water, and foliage. Published in London by Tombleson & Co. at 11 Paternoster Row, with editions also distributed on the continent, these prints catered to a wide audience eager to admire the picturesque river scenery of England. The richly decorative border surrounding the image is a hallmark of the series, featuring intricate scrollwork and a central cartouche framing the title in English, French (Pont de Datchet), and German (*Datchet Brücke*), underscoring the international reach of the publication.

For collectors, this engraving offers more than just a view of the Thames. It captures a fleeting moment in local history, preserving the appearance of Datchet Bridge shortly before its disappearance. The blend of topographical accuracy and artistic embellishment makes the work appealing not only to those with an interest in English heritage and riverside architecture but also to collectors of decorative 19th-century prints.

Condition report: Good condition with strong plate impression and crisp detail. Light toning in the margins consistent with age, but no major blemishes but a small tear outside the plate mark. Plate mark clearly visible, adding authenticity.

Framing tips: This print would display beautifully in a dark wood or gilt frame, paired with a cream or ivory mat to draw attention to the hand-colored figures and the delicate architectural detail. A double mat with a soft green or grey inner line would further enhance the landscape and emphasize the ornate border.

Technique: Engraving with original hand-coloring

Maker: William Tombleson (artist), Thomas Higham (engraver), London, c.1832 to 1834